Hauntingly Beautiful

I love listening to Rachmaninoff’s Suite No. 1 for 2 Pianos in G Minor, Opus 5, No. 3 “Tears”. It is such a beautiful and emotional piece of music that really moves me every time I hear it. Vladimir Ashkenazy does a phenomenal job performing it – he is one of the greatest pianists to ever live.  

The piece begins softly and simply, with a repeating melody played over and over that seems to convey a deep sense of melancholy and longing. The music starts out quietly and subdued, as if it is softly crying. As the piece continues, it gradually builds in complexity and intensity, the low notes becoming darker and more dramatic while the high notes soar higher and faster, reaching a climax of passion and sorrow. I feel the music swelling with emotion before it finally calms back down again. The delicate, graceful melodies sound lovely yet also deeply sad to me. When I listen to this piece, I feel completely transported to another world, fully immersed in the mood Rachmaninoff created. At the same time, I feel deeply connected to that original melancholic feeling. 

After this outpouring of emotion, the music transitions to a more confident, triumphant section, as if the pianists have overcome their sadness and are now celebrating. The tempo slows, but the rhythm becomes steadier and more resolute. To me, this section sounds like a victorious march, full of glory and pride but also relief at having moved through grief. I imagine the pianists’ fingers marching proudly across the keys. The music retains a hint of the melancholy from before, but now also rings with hope. 

The piece ends gently and thoughtfully, with the pianists seeming to reflect on the musical journey they have just taken. The finale sounds peaceful, serene, and ultimately hopeful to me after the turbulence of emotion that came before. I feel a sense of resignation and acceptance in these final melodies.  

Rachmaninoff was truly a master at conveying complex emotions through his music. One of my favorite parts of this piece is how it moves through distinct phases – from sad longing to passionate climax, to confident forward motion, to quiet reflection at the end. I am always amazed that the melodies can express so much feeling and tell a story. Suite No. 1 reminds me of waves rising and falling, mirroring the ups and downs of human experience. 

I find this composition incredibly powerful and liberating to listen to. It is as if Rachmaninoff wrote the music as an outlet for a deep well of feeling inside him. I think most people can relate to the emotions in this piece even if they do not consciously understand the technical brilliance behind it. The way the piano melodies swell and crash over you like waves allows you to access very human vulnerability and pain, but also hope.  

Whenever I am feeling melancholy or just need to get lost in beautiful music, I love putting on Ashkenazy’s recording of Rachmaninoff’s Suite No. 1. It never fails to move me profoundly. This masterful composition and performance is a true work of genius that has stood the test of time. I hope many future generations continue to appreciate how emotionally expressive and technically complex this piece is. Rachmaninoff and Ashkenazy came together to create an immortal work of art that will continue impacting hearts for years to come. 

Vladimir Ashkenazy
Vladimir Ashenazy

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Yuja Wang in Toronto

Yuja Wang at Roy Thomson Hall

I always tell my friends that three good things came out of the pandemic for me. First, I am able to spend more time in my beautiful home. Prior to the pandemic, I only went home to sleep. Second, our company has transitioned to a hybrid model. I only work in the office two times per week. Third, I finally started to learn to play the piano.

During the early days of learning to play piano, I spent a lot of time online searching for music to listen to. I quickly built a playlist in YouTube Music with my findings. At first, this playlist contained piano music from all genres. Eventually, the list was so engulfed in classical piano that I created a new list strictly for classical.

The beautiful women in the yellow dress is named Yuja Wang. Today, I consider myself a huge fan of Rachmaninoff and Romantic-era piano. I credit this in part to the wonderful Yuja Wang.

I started searching online for classical piano pieces to listen to and draw inspiration from. I found a YouTube video featuring a lady in a yellow dress playing a piece composed by Sergei Rachmaninoff. I was completely blown away by the way that those pieces elicit a variety of emotions in my being. I felt connected to the music in a way I had never before experienced.

I found a few more videos of Rachmaninoff pieces being played by this wonderful woman. I studied her fingers and hands to learn how I might improve my own coordination. This study helped me to feel comfortable at the piano. Although I am still very amateur at playing piano, I give a lot of credit to she whose videos taught me to make better use of my hands. That incredible pianist is named Yuja Wang. It was through those videos that I developed a love for pieces composed by Rachmaninoff.

Prior to learning to play the piano, Tchaikovsky and Liszt were my favourite composers. I had never even heard of Rachmaninoff. It was through Yuja Wang that I was exposed to a few timeless pieces by Sergei Rachmaninoff. I realized that my favourite era of classical music is the Romantic era. The music just reaches deep into my soul and makes me experience a wide variety of emotions.

Listening to Rachmaninoff’s Piano Concerto number 3 puts me into a zone where I feel like I am about to cry, then feel triumphant, powerful, alive, and human. Romantic-era classical music is very powerful indeed. Ironically, when I was very young, I lived on a street called Brahms – but that’s another story altogether.

Thursday, October 20, 2022, I was blessed to be able to witness Yuja Wang perform live at Roy Thomson Hall in Toronto, Canada. She performed a piece called Piano Concerto No. 3 composed for her by Magnus Lindberg. The world premier was the prior week in the United States. This was the Canadian premier of this magnificent piece.

Magnus Lindberg and Yuja Wang
Magnus Lindberg (left) and Yuja Wang (centre) during Q&A session at Roy Thomson Hall

I feel blessed to have attended this historic moment. Seeing one of my piano idols was the highlight of my year. I am forever thankful to have had this wonderful opportunity. The concerto was conducted by the Toronto Symphony Orchestra’s Gimeno and was stunning to say the least. Gimeno is a fantastic conductor who I first had the pleasure of seeing this past spring when Jan Lisiecki performed at the same venue.

If you find yourself in Toronto, be sure to check out the Toronto Symphony Orchestra at Roy Thomson Hall.

https://www.tso.ca/

https://www.deutschegrammophon.com/en